A Midsummer Holiday and Other Poems
Date: 2006-05-19T05:00:00+00:00

The Project Gutenberg EBook of A Midsummer Holiday and Other Poems, by
Algernon Charles Swinburne

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

Title: A Midsummer Holiday and Other Poems

Author: Algernon Charles Swinburne

Release Date: May 19, 2006 [EBook #18424]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK A MIDSUMMER HOLIDAY AND ***

Produced by Chuck Greif, Louise Hope, Thierry Alberto,
Henry Craig and the Online Distributed Proofreading Team
at http://www.pgdp.net

A

MIDSUMMER HOLIDAY

AND OTHER POEMS

BY

ALGERNON CHARLES SWINBURNE

THIRD EDITION

London

CHATTO & WINDUS, PICCADILLY

1889

CONTENTS.

A MIDSUMMER HOLIDAY:—
I. | THE SEABOARD | 3
II. | A HAVEN | 6
III. | ON A COUNTRY ROAD | 9
IV. | THE MILL GARDEN | 12
V. | A SEA-MARK | 16
VI. | THE CLIFFSIDE PATH | 19
VII. | IN THE WATER | 22
VIII. | THE SUNBOWS | 27
IX. | ON THE VERGE | 31
A NEW-YEAR ODE | 39
LINES ON THE MONUMENT OF GIUSEPPE MAZZINI | 66
LES CASQUETS | 70
A BALLAD OF SARK | 84
NINE YEARS OLD | 87
AFTER A READING | 94

MAYTIME IN MIDWINTER

100

A DOUBLE BALLAD OF AUGUST | 105
HEARTSEASE COUNTRY | 109
A BALLAD OF APPEAL | 112
CRADLE SONGS | 115
PELAGIUS | 122
LOUIS BLANC | 125
VOS DEOS LAUDAMUS | 128
ON THE BICENTENARY OF CORNEILLE | 132
IN SEPULCRETIS | 134
LOVE AND SCORN | 139
ON THE DEATH OF RICHARD DOYLE | 142
IN MEMORY OF HENRY A. BRIGHT | 143
A SOLITUDE | 144
VICTOR HUGO: L’ARCHIPEL DE LA MANCHE | 145
THE TWILIGHT OF THE LORDS | 147
CLEAR THE WAY! | 153
A WORD FOR THE COUNTRY | 156
A WORD FOR THE NATION | 167
A WORD FROM THE PSALMIST | 176
A BALLAD AT PARTING | 185

A MIDSUMMER HOLIDAY

To Theodore Watts

THE SEABOARD.

The sea is at ebb, and the sound of her utmost word

Is soft as the least wave’s lapse in a still small reach.

From bay into bay, on quest of a goal deferred,

From headland ever to headland and breach to breach

Where earth gives ear to the message that all days preach

With changes of gladness and sadness that cheer and chide,

The lone way lures me along by a chance untried

That haply, if hope dissolve not and faith be whole,

Not all for nought shall I seek, with a dream for guide.

The goal that is not, and ever again the goal.

The trackless ways are untravelled of sail or bird;

The hoar wave hardly recedes from the soundless beach.

The silence of instant noon goes nigh to be heard,

The viewless void to be visible: all and each,

A closure of calm no clamour of storm can breach

Concludes and confines and absorbs them on either side,

All forces of light and of life and the live world’s pride.

Sands hardly ruffled of ripples that hardly roll

Seem ever to show as in reach of a swift brief stride

The goal that is not, and ever again the goal.

The waves are a joy to the seamew, the meads to the herd,

And a joy to the heart is a goal that it may not reach.

No sense that for ever the limits of sense engird,

No hearing or sight that is vassal to form or speech,

Learns ever the secret that shadow and silence teach,

Hears ever the notes that or ever they swell subside,

Sees ever the light that lights not the loud world’s tide,

Clasps ever the cause of the lifelong scheme’s control

Wherethrough we pursue, till the waters of life be dried,

The goal that is not, and ever again the goal.

Friend, what have we sought or seek we, whate’er betide,

Though the seaboard shift its mark from afar descried,

But aims whence ever anew shall arise the soul?

Love, thought, song, life, but show for a glimpse and hide

The goal that is not, and ever again the goal.

A HAVEN.

East and north a waste of waters, south and west

Lonelier lands than dreams in sleep would feign to be,

When the soul goes forth on travel, and is prest

Round and compassed in with clouds that flash and flee

Dells without a streamlet, downs without a tree,

Cirques of hollow cliff that crumble, give their guest

Little hope, till hard at hand he pause, to see

Where the small town smiles, a warm still sea-side nest.

Many a lone long mile, by many a headland’s crest,

Down by many a garden dear to bird and bee,

Up by many a sea-down’s bare and breezy breast,

Winds the sandy strait of road where flowers run free.

Here along the deep steep lanes by field and lea

Knights have carolled, pilgrims chanted, on their quest,

Haply, ere a roof rose toward the bleak strand’s lee,

Where the small town smiles, a warm still sea-side nest.

Are the wild lands cursed perchance of time, or blest,

Sad with fear or glad with comfort of the sea?

Are the ruinous towers of churches fallen on rest

Watched of wanderers woful now, glad once as we,

When the night has all men’s eyes and hearts in fee,

When the soul bows down dethroned and dispossest?

Yet must peace keep guard, by day’s and night’s decree,

Where the small town smiles, a warm still sea-side nest.

Friend, the lonely land is bright for you and me

All its wild ways through: but this methinks is best,

Here to watch how kindly time and change agree

Where the small town smiles, a warm still sea-side nest.

ON A COUNTRY ROAD.

Along these low pleached lanes, on such a day,

So soft a day as this, through shade and sun,

With glad grave eyes that scanned the glad wild way,

And heart still hovering o’er a song begun,

And smile that warmed the world with benison,

Our father, lord long since of lordly rhyme,

Long since hath haply ridden, when the lime

Bloomed broad above him, flowering where he came.

Because thy passage once made warm this clime,

Our father Chaucer, here we praise thy name.

Each year that England clothes herself with May,

She takes thy likeness on her. Time hath spun

Fresh raiment all in vain and strange array

For earth and man’s new spirit, fain to shun

Things past for dreams of better to be won,

Through many a century since thy funeral chime

Rang, and men deemed it death’s most direful crime

To have spared not thee for very love or shame;

And yet, while mists round last year’s memories climb,

Our father Chaucer, here we praise thy name.

Each turn of the old wild road whereon we stray,

Meseems, might bring us face to face with one

Whom seeing we could not but give thanks, and pray

For England’s love our father and her son

To speak with us as once in days long done

With all men, sage and churl and monk and mime,

Who knew not as we know the soul sublime

That sang for song’s love more than lust of fame.

Yet, though this be not, yet, in happy time,

Our father Chaucer, here we praise thy name.

Friend, even as bees about the flowering thyme,

Years crowd on years, till hoar decay begrime

Names once beloved; but, seeing the sun the same,

As birds of autumn fain to praise the prime,

Our father Chaucer, here we praise thy name.

THE MILL GARDEN.

Stately stand the sunflowers, glowing down the garden-side,

Ranged in royal rank arow along the warm grey wall,

Whence their deep disks burn at rich midnoon afire with pride,

Even as though their beams indeed were sunbeams, and the tall

Sceptral stems bore stars whose reign endures, not flowers that fall.

Lowlier laughs and basks the kindlier flower of homelier fame,

Held by love the sweeter that it blooms in Shakespeare’s name,

Fragrant yet as though his hand had touched and made it thrill,

Like the whole world’s heart, with warm new life and gladdening flame.

Fair befall the fair green close that lies below the mill!

Softlier here the flower-soft feet of refluent seasons glide,

Lightlier breathes the long low note of change’s gentler call.

Wind and storm and landslip feed the lone sea’s gulf outside,

Half a seamew’s first flight hence; but scarce may these appal

Peace, whose perfect seal is set for signet here on all.

Steep and deep and sterile, under fields no plough can tame,

Dip the cliffs full-fledged with poppies red as love or shame,

Wide wan daisies bleak and bold, or herbage harsh and chill;

Here the full clove pinks and wallflowers crown the love they claim.

Fair befall the fair green close that lies below the mill!

All the place breathes low, but not for fear lest ill betide,

Soft as roses answering roses, or a dove’s recall.

Little heeds it how the seaward banks may stoop and slide,

How the winds and years may hold all outer things in thrall,

How their wrath may work on hoar church tower and boundary wall.

Far and wide the waste and ravin of their rule proclaim

Change alone the changeless lord of things, alone the same:

Here a flower is stronger than the winds that work their will,

Or the years that wing their way through darkness toward their aim.

Fair befall the fair green close that lies below the mill!

Friend, the home that smiled us welcome hither when we came,

When we pass again with summer, surely should reclaim

Somewhat given of heart’s thanksgiving more than words fulfil—

More than song, were song more sweet than all but love, might frame.

Fair befall the fair green close that lies below the mill!

A SEA-MARK.

Rains have left the sea-banks ill to climb:

Waveward sinks the loosening seaboard’s floor:

Half the sliding cliffs are mire and slime.

Earth, a fruit rain-rotted to the core,

Drops dissolving down in flakes, that pour

Dense as gouts from eaves grown foul with grime.

One sole rock which years that scathe not score

Stands a sea-mark in the tides of time.

Time were even as even the rainiest clime,

Life were even as even this lapsing shore,

Might not aught outlive their trustless prime:

Vainly fear would wail or hope implore,

Vainly grief revile or love adore

Seasons clothed in sunshine, rain, or rime

Now for me one comfort held in store

Stands a sea-mark in the tides of time.

Once, by fate’s default or chance’s crime,

Each apart, our burdens each we bore;

Heard, in monotones like bells that chime,

Chime the sounds of sorrows, float and soar

Joy’s full carols, near or far before;

Heard not yet across the alternate rhyme

Time’s tongue tell what sign set fast of yore

Stands a sea-mark in the tides of time.

Friend, the sign we knew not heretofore

Towers in sight here present and sublime.

Faith in faith established evermore

Stands a sea-mark in the tides of time.

THE CLIFFSIDE PATH.

Seaward goes the sun, and homeward by the down

We, before the night upon his grave be sealed.

Low behind us lies the bright steep murmuring town,

High before us heaves the steep rough silent field.

Breach by ghastlier breach, the cliffs collapsing yield:

Half the path is broken, half the banks divide;

Flawed and crumbled, riven and rent, they cleave and slide

Toward the ridged and wrinkled waste of girdling sand

Deep beneath, whose furrows tell how far and wide

Wind is lord and change is sovereign of the strand.

Star by star on the unsunned waters twiring down.

Golden spear-points glance against a silver shield.

Over banks and bents, across the headland’s crown,

As by pulse of gradual plumes through twilight wheeled,

Soft as sleep, the waking wind awakes the weald.

Moor and copse and fallow, near or far descried.

Feel the mild wings move, and gladden where they glide:

Silence, uttering love that all things understand,

Bids the quiet fields forget that hard beside

Wind is lord and change is sovereign of the strand.

Yet may sight, ere all the hoar soft shade grow brown,

Hardly reckon half the lifts and rents unhealed

Where the scarred cliffs downward sundering drive and drown,

Hewn as if with stroke of swords in tempest steeled,

Wielded as the night’s will and the wind’s may wield.

Crowned and zoned in vain with flowers of autumn-tide,

Soon the blasts shall break them, soon the waters hide,

Soon, where late we stood, shall no man ever stand.

Life and love seek harbourage on the landward side:

Wind is lord and change is sovereign of the strand.

Friend, though man be less than these, for all his pride,

Yet, for all his weakness, shall not hope abide?

Wind and change can wreck but life and waste but land:

Truth and trust are sure, though here till all subside

Wind is lord and change is sovereign of the strand.

IN THE WATER.

The sea is awake, and the sound of the song of the joy of her waking is rolled

From afar to the star that recedes, from anear to the wastes of the wild wide shore.

Her call is a trumpet compelling us homeward: if dawn in her east be acold,

From the sea shall we crave not her grace to rekindle the life that it kindled before,

Her breath to requicken, her bosom to rock us, her kisses to bless as of yore?

For the wind, with his wings half open, at pause in the sky, neither fettered nor free,

Leans waveward and flutters the ripple to laughter and fain would the twain of us be

Where lightly the wave yearns forward from under the curve of the deep dawn’s dome,

And, full of the morning and fired with the pride of the glory thereof and the glee,

Strike out from the shore as the heart in us bids and beseeches, athirst for the foam.

Life holds not an hour that is better to live in: the past is a tale that is told,

The future a sun-flecked shadow, alive and asleep, with a blessing in store.

As we give us again to the waters, the rapture of limbs that the waters enfold

Is less than the rapture of spirit whereby, though the burden it quits were sore,

Our souls and the bodies they wield at their will are absorbed in the life they adore—

In the life that endures no burden, and bows not the forehead, and bends not the knee—

In the life everlasting of earth and of heaven, in the laws that atone and agree,

In the measureless music of things, in the fervour of forces that rest or that roam,

That cross and return and reissue, as I after you and as you after me

Strike out from the shore as the heart in us bids and beseeches, athirst for the foam.

For, albeit he were less than the least of them, haply the heart of a man may be bold

To rejoice in the word of the sea as a mother’s that saith to the son she bore,

Child, was not the life in thee mine, and my spirit the breath in thy lips from of old?

Have I let not thy weakness exult in my strength, and thy foolishness learn of my lore?

Have I helped not or healed not thine anguish, or made not the might of thy gladness more?

And surely his heart should answer, The light of the love of my life is in thee.

She is fairer than earth, and the sun is not fairer, the wind is not blither than she:

From my youth hath she shown me the joy of her bays that I crossed, of her cliffs that I clomb,

Till now that the twain of us here, in desire of the dawn and in trust of the sea,

Strike out from the shore as the heart in us bids and beseeches, athirst for the foam.

Friend, earth is a harbour of refuge for winter, a covert whereunder to flee

When day is the vassal of night, and the strength of the hosts of her mightier than he;

But here is the presence adored of me, here my desire is at rest and at home.

There are cliffs to be climbed upon land, there are ways to be trodden and ridden, but we

Strike out from the shore as the heart in us bids and beseeches, athirst for the foam.

THE SUNBOWS.

Spray of song that springs in April, light of love that laughs through May,

Live and die and live for ever: nought of all thing far less fair

Keeps a surer life than these that seem to pass like fire away.

In the souls they live which are but all the brighter that they were;

In the hearts that kindle, thinking what delight of old was there.

Wind that shapes and lifts and shifts them bids perpetual memory play

Over dreams and in and out of deeds and thoughts which seem to wear

Light that leaps and runs and revels through the springing flames of spray.

Dawn is wild upon the waters where we drink of dawn to-day:

Wide, from wave to wave rekindling in rebound through radiant air,

Flash the fires unwoven and woven again of wind that works in play,

Working wonders more than heart may note or sight may wellnigh dare,

Wefts of rarer light than colours rain from heaven, though this be rare.

Arch on arch unbuilt in building, reared and ruined ray by ray,

Breaks and brightens, laughs and lessens, even till eyes may hardly bear

Light that leaps and runs and revels through the springing flames of spray.

Year on year sheds light and music rolled and flashed from bay to bay

Round the summer capes of time and winter headlands keen and bare

Whence the soul keeps watch, and bids her vassal memory watch and pray,

If perchance the dawn may quicken, or perchance the midnight spare.

Silence quells not music, darkness takes not sunlight in her snare;

Shall not joys endure that perish? Yea, saith dawn, though night say nay:

Life on life goes out, but very life enkindles everywhere

Light that leaps and runs and revels through the springing flames of spray.

Friend, were life no more than this is, well would yet the living fare.

All aflower and all afire and all flung heavenward, who shall say

Such a flash of life were worthless? This is worth a world of care—

Light that leaps and runs and revels through the springing flames of spray.

ON THE VERGE.

Here begins the sea that ends not till the world’s end. Where we stand,

Could we know the next high sea-mark set beyond these waves that gleam,

We should know what never man hath known, nor eye of man hath scanned.

Nought beyond these coiling clouds that melt like fume of shrines that steam

Breaks or stays the strength of waters till they pass our bounds of dream.

Where the waste Land’s End leans westward, all the seas it watches roll

Find their border fixed beyond them, and a worldwide shore’s control:

These whereby we stand no shore beyond us limits: these are free.

Gazing hence, we see the water that grows iron round the Pole,

From the shore that hath no shore beyond it set in all the sea.

Sail on sail along the sea-line fades and flashes; here on land

Flash and fade the wheeling wings on wings of mews that plunge and scream.

Hour on hour along the line of life and time’s evasive strand

Shines and darkens, wanes and waxes, slays and dies: and scarce they seem

More than motes that thronged and trembled in the brief noon’s breath and beam.

Some with crying and wailing, some with notes like sound of bells that toll,

Some with sighing and laughing, some with words that blessed and made us whole,

Passed, and left us, and we know not what they were, nor what were we.

Would we know, being mortal? Never breath of answering whisper stole

From the shore that hath no shore beyond it set in all the sea.

Shadows, would we question darkness? Ere our eyes and brows be fanned

Round with airs of twilight, washed with dews from sleep’s eternal stream,

Would we know sleep’s guarded secret? Ere the fire consume the brand,

Would it know if yet its ashes may requicken? yet we deem

Surely man may know, or ever night unyoke her starry team,

What the dawn shall be, or if the dawn shall be not, yea, the scroll

Would we read of sleep’s dark scripture, pledge of peace or doom of dole.

Ah, but here man’s heart leaps, yearning toward the gloom with venturous glee,

Though his pilot eye behold nor bay nor harbour, rock nor shoal,

From the shore that hath no shore beyond it set in all the sea.

Friend, who knows if death indeed have life or life have death for goal?

Day nor night can tell us, nor may seas declare nor skies unroll

What has been from everlasting, or if aught shall always be.

Silence answering only strikes response reverberate on the soul

From the shore that hath no shore beyond it set in all the sea.

A NEW-YEAR ODE

To Victor Hugo

I.

Twice twelve times have the springs of years refilled

Their fountains from the river-head of time

Since by the green sea’s marge, ere autumn chilled

Waters and woods with sense of changing clime,

A great light rose upon my soul, and thrilled

My spirit of sense with sense of spheres in chime,

Sound as of song wherewith a God would build

Towers that no force of conquering war might climb.

Wind shook the glimmering sea

Even as my soul in me

Was stirred with breath of mastery more sublime,

Uplift and borne along

More thunderous tides of song,

Where wave rang back to wave more rapturous rhyme

And world on world flashed lordlier light

Than ever lit the wandering ways of ships by night.

II.

The spirit of God, whose breath of life is song,

Moved, though his word was human, on the face

Of those deep waters of the soul, too long

Dumb, dark, and cold, that waited for the grace

Wherewith day kindles heaven: and as some throng

Of quiring wings fills full some lone chill place

With sudden rush of life and joy, more strong

Than death or sorrow or all night’s darkling race,

So was my heart, that heard

All heaven in each deep word,

Filled full with light of thought, and waxed apace

Itself more wide and deep,

To take that gift and keep

And cherish while my days fulfilled their space;

A record wide as earth and sea,

The Legend writ of Ages past and yet to be.

III.

As high the chant of Paradise and Hell

Rose, when the soul of Milton gave it wings;

As wide the sweep of Shakespeare’s empire fell,

When life had bared for him her secret springs;

But not his various soul might range and dwell

Amid the mysteries of the founts of things;

Nor Milton’s range of rule so far might swell

Across the kingdoms of forgotten kings.
Men, centuries, nations, time,
Life, death, love, trust, and crime,

Rang record through the change of smitten strings

That felt an exile’s hand

Sound hope for every land

More loud than storm’s cloud-sundering trumpet rings,

And bid strong death for judgment rise,

And life bow down for judgment of his awless eyes.

IV.

And death, soul-stricken in his strength, resigned

The keeping of the sepulchres to song;

And life was humbled, and his height of mind

Brought lower than lies a grave-stone fallen along;

And like a ghost and like a God mankind

Rose clad with light and darkness; weak and strong,

Clean and unclean, with eyes afire and blind,

Wounded and whole, fast bound with cord and thong,

Free; fair and foul, sin-stained,

And sinless; crowned and chained;

Fleet-limbed, and halting all his lifetime long;

Glad of deep shame, and sad

For shame’s sake; wise, and mad;

Girt round with love and hate of right and wrong;

Armed and disarmed for sleep and strife;

Proud, and sore fear made havoc of his pride of life.

V.

Shadows and shapes of fable and storied sooth

Rose glorious as with gleam of gold unpriced;

Eve, clothed with heavenly nakedness and youth

That matched the morning’s; Cain, self-sacrificed

On crime’s first altar: legends wise as truth,

And truth in legends deep embalmed and spiced;

The stars that saw the starlike eyes of Ruth,

The grave that heard the clarion call of Christ.

And higher than sorrow and mirth

The heavenly song of earth

Sprang, in such notes as might have well sufficed

To still the storms of time
And sin’s contentious clime
With peace renewed of life reparadised:
Earth, scarred not yet with temporal scars;

Goddess of gods, our mother, chosen among the stars.

VI.

Earth fair as heaven, ere change and time set odds

Between them, light and darkness know not when,

And fear, grown strong through panic periods,

Crouched, a crowned worm, in faith’s Lernean fen,

And love lay bound, and hope was scourged with rods,

And death cried out from desert and from den,

Seeing all the heaven above him dark with gods

And all the world about him marred of men.
Cities that nought might purge
Save the sea’s whelming surge
From all the pent pollutions in their pen
Deep death drank down, and wrought,
With wreck of all things, nought,

That none might live of all their names again,

Nor aught of all whose life is breath

Serve any God whose likeness was not like to death.

VII.

Till by the lips and eyes of one live nation

The blind mute world found grace to see and speak,

And light watched rise a more divine creation

At that more godlike utterance of the Greek,

Let there be freedom. Kings whose orient station

Made pale the morn, and all her presage bleak,

Girt each with strengths of all his generation,

Dim tribes of shamefaced soul and sun-swart cheek,

Twice, urged with one desire,
Son following hard on sire,
With all the wrath of all a world to wreak,
And all the rage of night
Afire against the light

Whose weakness makes her strong-winged empire weak,

Stood up to unsay that saying, and fell

Too far for song, though song were thousand-tongued, to tell.

VIII.

From those deep echoes of the loud Ægean

That rolled response whereat false fear was chid

By songs of joy sublime and Sophoclean,

Fresh notes reverberate westward rose to bid

All wearier times take comfort from the pæan

That tells the night what deeds the sunrise did,

Even till the lawns and torrents Pyrenean

Ring answer from the records of the Cid.
But never force of fountains
From sunniest hearts of mountains
Wherein the soul of hidden June was hid
Poured forth so pure and strong
Springs of reiterate song,
Loud as the streams his fame was reared amid,
More sweet than flowers they feed, and fair

With grace of lordlier sunshine and more lambent air.

IX.

A star more prosperous than the storm-clothed east’s

Clothed all the warm south-west with light like spring’s,

When hands of strong men spread the wolves their feasts

And from snake-spirited princes plucked the stings;

Ere earth, grown all one den of hurtling beasts,

Had for her sunshine and her watersprings

The fire of hell that warmed the hearts of priests,

The wells of blood that slaked the lips of kings.

The shadow of night made stone

Stood populous and alone,

Dense with its dead and loathed of living things

That draw not life from death,
And as with hell’s own breath
And clangour of immitigable wings
Vexed the fair face of Paris, made

Foul in its murderous imminence of sound and shade.

X.

And all these things were parcels of the vision

That moved a cloud before his eyes, or stood

A tower half shattered by the strong collision

Of spirit and spirit, of evil gods with good;

A ruinous wall rent through with grim division,

Where time had marked his every monstrous mood

Of scorn and strength and pride and self-derision:

The Tower of Things, that felt upon it brood
Night, and about it cast
The storm of all the past
Now mute and forceless as a fire subdued:
Yet through the rifted years
And centuries veiled with tears
And ages as with very death imbrued
Freedom, whence hope and faith grow strong,

Smiles, and firm love sustains the indissoluble song.

XI.

Above the cloudy coil of days deceased,

Its might of flight, with mists and storms beset,

Burns heavenward, as with heart and hope increased,

For all the change of tempests, all the fret

Of frost or fire, keen fraud or force released,

Wherewith the world once wasted knows not yet

If evil or good lit all the darkling east

From the ardent moon of sovereign Mahomet.
Sublime in work and will
The song sublimer still

Salutes him, ere the splendour shrink and set;

Then with imperious eye

And wing that sounds the sky

Soars and sees risen as ghosts in concourse met

The old world’s seven elder wonders, firm

As dust and fixed as shadows, weaker than the worm.

XII.

High witness borne of knights high-souled and hoary

Before death’s face and empire’s rings and glows

Even from the dust their life poured forth left gory,

As the eagle’s cry rings after from the snows

Supreme rebuke of shame clothed round with glory

And hosts whose track the false crowned eagle shows;

More loud than sounds through stormiest song and story

The laugh of slayers whose names the sea-wind knows;

More loud than peals on land
In many a red wet hand
The clash of gold and cymbals as they close;
Loud as the blast that meets
The might of marshalled fleets
And sheds it into shipwreck, like a rose
Blown from a child’s light grasp in sign

That earth’s high lords are lords not over breeze and brine.

XIII.

Above the dust and mire of man’s dejection

The wide-winged spirit of song resurgent sees

His wingless and long-labouring resurrection

Up the arduous heaven, by sore and strange degrees

Mount, and with splendour of the soul’s reflection

Strike heaven’s dark sovereign down upon his knees,

Pale in the light of orient insurrection,

And dumb before the almightier lord’s decrees
Who bade him be of yore,
Who bids him be no more:

And all earth’s heart is quickened as the sea’s,

Even as when sunrise burns
The very sea’s heart yearns
That heard not on the midnight-walking breeze
The wail that woke with evensong

From hearts of poor folk watching all the darkness long.

XIV.

Dawn and the beams of sunbright song illume

Love, with strange children at her piteous breast,

By grace of weakness from the grave-mouthed gloom

Plucked, and by mercy lulled to living rest,

Soft as the nursling’s nigh the grandsire’s tomb

That fell on sleep, a bird of rifled nest;

Soft as the lips whose smile unsaid the doom

That gave their sire to violent death’s arrest.

Even for such love’s sake strong,

Wrath fires the inveterate song

That bids hell gape for one whose bland mouth blest

All slayers and liars that sighed

Prayer as they slew and lied

Till blood had clothed his priesthood as a vest,

And hears, though darkness yet be dumb,

The silence of the trumpet of the wrath to come.

XV.

Nor lacked these lights of constellated age

A star among them fed with life more dire,

Lit with his bloodied fame, whose withering rage

Made earth for heaven’s sake one funereal pyre

And life in faith’s name one appointed stage

For death to purge the souls of men with fire.

Heaven, earth, and hell on one thrice tragic page

Mixed all their light and darkness: one man’s lyre

Gave all their echoes voice;

Bade rose-cheeked love rejoice,

And cold-lipped craft with ravenous fear conspire,

And fire-eyed faith smite hope

Dead, seeing enthroned as Pope

And crowned of heaven on earth at hell’s desire

Sin, called by death’s incestuous name

Borgia: the world that heard it flushed and quailed with shame.

XVI.

Another year, and hope triumphant heard

The consummating sound of song that spake

Conclusion to the multitudinous word

Whose expectation held her spirit awake

Till full delight for twice twelve years deferred

Bade all souls entering eat and drink, and take

A third time comfort given them, that the third

Might heap the measure up of twain, and make
The sinking year sublime
Among all sons of time
And fan in all men’s memories for his sake.
Each thought of ours became
Fire, kindling from his flame,
And music widening in his wide song’s wake.
Yea, and the world bore witness here

How great a light was risen upon this darkening year.

XVII.

It was the dawn of winter: sword in sheath,

Change, veiled and mild, came down the gradual air

With cold slow smiles that hid the doom beneath.

Five days to die in yet were autumn’s, ere

The last leaf withered from his flowerless wreath.

South, east, and north, our skies were all blown bare,

But westward over glimmering holt and heath

Cloud, wind, and light had made a heaven more fair

Than ever dream or truth
Showed earth in time’s keen youth
When men with angels communed unaware.
Above the sun’s head, now
Veiled even to the ardent brow,

Rose two sheer wings of sundering cloud, that were

As a bird’s poised for vehement flight,

Full-fledged with plumes of tawny fire and hoar grey light.

XVIII.

As midnight black, as twilight brown, they spread,

But feathered thick with flame that streaked and lined

Their living darkness, ominous else of dread,

From south to northmost verge of heaven inclined

Most like some giant angel’s, whose bent head

Bowed earthward, as with message for mankind

Of doom or benediction to be shed

From passage of his presence. Far behind,
Even while they seemed to close,
Stoop, and take flight, arose

Above them, higher than heavenliest thought may find

In light or night supreme
Of vision or of dream,
Immeasurable of men’s eyes or mounting mind,
Heaven, manifest in manifold

Light of pure pallid amber, cheered with fire of gold.

XIX.

And where the fine gold faded all the sky

Shone green as the outer sea when April glows,

Inlaid with flakes and feathers fledged to fly

Of cloud suspense in rapture and repose,

With large live petals, broad as love bids lie

Full open when the sun salutes the rose,

And small rent sprays wherewith the heavens most high

Were strewn as autumn strews the garden-close
With ruinous roseleaves whirled
About their wan chill world,

Through wind-worn bowers that now no music knows,

Spoil of the dim dusk year
Whose utter night is near,
And near the flower of dawn beyond it blows;
Till east and west were fire and light,

As though the dawn to come had flushed the coming night.

XX.

The highways paced of men that toil or play,

The byways known of none but lonely feet,

Were paven of purple woven of night and day

With hands that met as hands of friends might meet—

As though night’s were not lifted up to slay

And day’s had waxed not weaker. Peace more sweet

Than music, light more soft than shadow, lay

On downs and moorlands wan with day’s defeat,
That watched afar above
Life’s very rose of love

Let all its lustrous leaves fall, fade, and fleet,

And fill all heaven and earth

Full as with fires of birth

Whence time should feed his years with light and heat:

Nay, not life’s, but a flower more strong

Than life or time or death, love’s very rose of song.

XXI.

Song visible, whence all men’s eyes were lit

With love and loving wonder: song that glowed

Through cloud and change on souls that knew not it

And hearts that wist not whence their comfort flowed,

Whence fear was lightened of her fever-fit,

Whence anguish of her life-compelling load.

Yea, no man’s head whereon the fire alit,

Of all that passed along that sunset road
Westward, no brow so drear,
No eye so dull of cheer,
No face so mean whereon that light abode,
But as with alien pride
Strange godhead glorified

Each feature flushed from heaven with fire that showed

The likeness of its own life wrought

By strong transfiguration as of living thought.

XXII.

Nor only clouds of the everlasting sky,

Nor only men that paced that sunward way

To the utter bourne of evening, passed not by

Unblest or unillumined: none might say,

Of all things visible in the wide world’s eye,

That all too low for all that grace it lay:

The lowliest lakelets of the moorland nigh,

The narrowest pools where shallowest wavelets play,

Were filled from heaven above
With light like fire of love,
With flames and colours like a dawn in May,
As hearts that lowlier live
With light of thoughts that give

Light from the depth of souls more deep than they

Through song’s or story’s kindling scroll,

The splendour of the shadow that reveals the soul.

XXIII.

For, when such light is in the world, we share,

All of us, all the rays thereof that shine:

Its presence is alive in the unseen air,

Its fire within our veins as quickening wine;

A spirit is shed on all men everywhere,

Known or not known of all men for divine.

Yea, as the sun makes heaven, that light makes fair

All souls of ours, all lesser souls than thine,

Priest, prophet, seer and sage,
Lord of a subject age
That bears thy seal upon it for a sign;
Whose name shall be thy name,
Whose light thy light of fame,

The light of love that makes thy soul a shrine;

Whose record through all years to be

Shall bear this witness written—that its womb bare thee.

XXIV.

O mystery, whence to one man’s hand was given

Power upon all things of the spirit, and might

Whereby the veil of all the years was riven

And naked stood the secret soul of night!

O marvel, hailed of eyes whence cloud is driven,

That shows at last wrong reconciled with right

By death divine of evil and sin forgiven!

O light of song, whose fire is perfect light!
No speech, no voice, no thought,
No love, avails us aught
For service of thanksgiving in his sight
Who hath given us all for ever
Such gifts that man gave never

So many and great since first Time’s wings took flight.

Man may not praise a spirit above

Man’s: life and death shall praise him: we can only love.

XXV.

Life, everlasting while the worlds endure,

Death, self-abased before a power more high,

Shall bear one witness, and their word stand sure,

That not till time be dead shall this man die

Love, like a bird, comes loyal to his lure;

Fame flies before him, wingless else to fly.

A child’s heart toward his kind is not more pure,

An eagle’s toward the sun no lordlier eye.
Awe sweet as love and proud
As fame, though hushed and bowed,
Yearns toward him silent as his face goes by:
All crowns before his crown
Triumphantly bow down,

For pride that one more great than all draws nigh:

All souls applaud, all hearts acclaim,

One heart benign, one soul supreme, one conquering name.

NOTES

ST. | V. |
V. | 3. | La Légende des Siècles: Le Sacre de la Femme.
| 4. | La Conscience.
| 7. | Booz endormi.
| 8. | Première rencontre du Christ avec le tombeau.
| 9. | La Terre: Hymne.
VI. | 3. | Les Temps Paniques.
| 9. | La Ville Disparue.
VII. | | Les Trois Cents.
VIII. | 1. | Le Détroit de l’Euripe: La Chanson de Sophocle à Salamine.
| 7. | Le Romancero du Cid.
IX. | 3. | Le Petit Roi de Galice.
| 5. | Le Jour des Rois.
| 9. | Montfaucon.
X. | | La vision d’où est sorti ce livre.
XI. | 9. | L’an neuf de l’Hégire.
| 12. | Les sept merveilles du monde.
XII. | 1. | Les quatre jours d’Elciis.
| 4. | Le Régiment du baron Madruce.
| 7. | La Chanson des Aventuriers de la Mer.
| 9. | Les Reîtres.
| 12. | La Rose de l’Infante.

XIII.

1.

Le Satyre.

| 12. | Les paysans au bord de la mer.
XIV. | 1. | Les pauvres gens.
| 5. | Petit Paul.
| 7. | Guerre Civile.
| 9. | La Vision de Dante.
| 15. | La Trompette du Jugement.
XV. | | Torquemada (1882).
XVI. | | La Légende des Siècles: tome cinquième et dernier (1883).
XVII. | | November 25, 1883.

LINES ON THE MONUMENT OF GIUSEPPE MAZZINI.

Italia, mother of the souls of men,

Mother divine,

Of all that served thee best with sword or pen,

All sons of thine,

Thou knowest that here the likeness of the best

Before thee stands,

The head most high, the heart found faithfullest,

The purest hands.
Above the fume and foam of time that flits,
The soul, we know,

Now sits on high where Alighieri sits

With Angelo.

Not his own heavenly tongue hath heavenly speech

Enough to say

What this man was, whose praise no thought may reach,

No words can weigh.

Since man’s first mother brought to mortal birth

Her first-born son,

Such grace befell not ever man on earth

As crowns this one.
Of God nor man was ever this thing said,
That he could give

Life back to her who gave him, whence his dead

Mother might live.
But this man found his mother dead and slain,
With fast sealed eyes,

And bade the dead rise up and live again,

And she did rise.

And all the world was bright with her through him:

But dark with strife,

Like heaven’s own sun that storming clouds bedim,

Was all his life.

Life and the clouds are vanished: hate and fear

Have had their span

Of time to hunt, and are not: he is here,

The sunlike man.
City superb that hadst Columbus first
For sovereign son,

Be prouder that thy breast hath later nurst

This mightier one.
Glory be his for ever, while his land
Lives and is free,

As with controlling breath and sovereign hand

He bade her be.

Earth shows to heaven the names by thousands told

That crown her fame,

But highest of all that heaven and earth behold

Mazzini’s name.

LES CASQUETS.

From the depths of the waters that lighten and darken

With change everlasting of life and of death,

Where hardly by noon if the lulled ear hearken

It hears the sea’s as a tired child’s breath,

Where hardly by night if an eye dare scan it

The storm lets shipwreck be seen or heard,

As the reefs to the waves and the foam to the granite

Respond one merciless word,
Sheer seen and far, in the sea’s live heaven,
A seamew’s flight from the wild sweet land,

White-plumed with foam if the wind wake, seven

Black helms as of warriors that stir not stand.

From the depths that abide and the waves that environ

Seven rocks rear heads that the midnight masks,

And the strokes of the swords of the storm are as iron

On the steel of the wave-worn casques.
Be night’s dark word as the word of a wizard,
Be the word of dawn as a god’s glad word,

Like heads of the spirits of darkness visored

That see not for ever, nor ever have heard,

These basnets, plumed as for fight or plumeless,

Crowned of the storm and by storm discrowned,

Keep ward of the lists where the dead lie tombless

And the tale of them is not found.

Nor eye may number nor hand may reckon

The tithes that are taken of life by the dark,

Or the ways of the path, if doom’s hand beckon,

For the soul to fare as a helmless bark—

Fare forth on a way that no sign showeth,

Nor aught of its goal or of aught between,

A path for her flight which no fowl knoweth,

Which the vulture’s eye hath not seen.

Here still, though the wave and the wind seem lovers

Lulled half asleep by their own soft words,

A dream as of death in the sun’s light hovers,

And a sign in the motions and cries of the birds.

Dark auguries and keen from the sweet sea-swallows

Strike noon with a sense as of midnight’s breath,

And the wing that flees and the wing that follows

Are as types of the wings of death.

For here, when the night roars round, and under

The white sea lightens and leaps like fire,

Acclaimed of storm and applauded in thunder,

Sits death on the throne of his crowned desire.

Yea, hardly the hand of the god might fashion

A seat more strong for his strength to take,

For the might of his heart and the pride of his passion

To rejoice in the wars they make.

When the heart in him brightens with blitheness of battle

And the depth of its thirst is fulfilled with strife,

And his ear with the ravage of bolts that rattle,

And the soul of death with the pride of life,

Till the darkness is loud with his dark thanksgiving

And wind and cloud are as chords of his hymn,

There is nought save death in the deep night living

And the whole night worships him.

Heaven’s height bows down to him, signed with his token,

And the sea’s depth, moved as a heart that yearns,

Heaves up to him, strong as a heart half broken,

A heart that breaks in a prayer that burns

Of cloud is the shrine of his worship moulded,

But the altar therein is of sea-shaped stone,

Whereon, with the strength of his wide wings folded,

Sits death in the dark, alone.
He hears the word of his servant spoken,
The word that the wind his servant saith,

Storm writes on the front of the night his token,

That the skies may seem to bow down to death

But the clouds that stoop and the storms that minister

Serve but as thralls that fulfil their tasks;

And his seal is not set save here on the sinister

Crests reared of the crownless casques.

Nor flame nor plume of the storm that crowned them

Gilds or quickens their stark black strength.

Life lightens and murmurs and laughs right round them,

At peace with the noon’s whole breadth and length,

At one with the heart of the soft-souled heaven,

At one with the life of the kind wild land:

But its touch may unbrace not the strengths of the seven

Casques hewn of the storm-wind’s hand.

No touch may loosen the black braced helmlets

For the wild elves’ heads of the wild waves wrought.

As flowers on the sea are her small green realmlets,

Like heavens made out of a child’s heart’s thought;

But these as thorns of her desolate places,

Strong fangs that fasten and hold lives fast:

And the vizors are framed as for formless faces

That a dark dream sees go past.

Of fear and of fate are the frontlets fashioned,

And the heads behind them are dire and dumb.

When the heart of the darkness is scarce impassioned,

Thrilled scarce with sense of the wrath to come,

They bear the sign from of old engraven,

Though peace be round them and strife seem far,

That here is none but the night-wind’s haven,

With death for the harbour bar.

Of the iron of doom are the casquets carven,

That never the rivets thereof should burst.

When the heart of the darkness is hunger-starven,

And the throats of the gulfs are agape for thirst,

And stars are as flowers that the wind bids wither,

And dawn is as hope struck dead by fear,

The rage of the ravenous night sets hither,

And the crown of her work is here.

All shores about and afar lie lonely,

But lonelier are these than the heart of grief,

These loose-linked rivets of rock, whence only

Strange life scarce gleams from the sheer main reef,

With a blind wan face in the wild wan morning,

With a live lit flame on its brows by night,

That the lost may lose not its word’s mute warning

And the blind by its grace have sight.
Here, walled in with the wide waste water,
Grew the grace of a girl’s lone life,

The sea’s and the sea-wind’s foster-daughter,

And peace was hers in the main mid strife.

For her were the rocks clothed round with thunder,

And the crests of them carved by the storm-smith’s craft:

For her was the mid storm rent in sunder

As with passion that wailed and laughed.

For her the sunrise kindled and scattered

The red rose-leaflets of countless cloud:

For her the blasts of the springtide shattered

The strengths reluctant of waves back-bowed.

For her would winds in the mid sky levy

Bright wars that hardly the night bade cease

At noon, when sleep on the sea lies heavy,

For her would the sun make peace.

Peace rose crowned with the dawn on golden

Lit leagues of triumph that flamed and smiled:

Peace lay lulled in the moon-beholden

Warm darkness making the world’s heart mild

For all the wide waves’ troubles and treasons,

One word only her soul’s ear heard

Speak from stormless and storm-rent seasons,

And nought save peace was the word.

All her life waxed large with the light of it,

All her heart fed full on the sound:

Spirit and sense were exalted in sight of it,

Compassed and girdled and clothed with it round.

Sense was none but a strong still rapture,

Spirit was none but a joy sublime,

Of strength to curb and of craft to capture

The craft and the strength of Time.

Time lay bound as in painless prison

There, closed in with a strait small space.

Never thereon as a strange light risen

Change had unveiled for her grief’s far face

Three white walls flung out from the basement

Girt the width of the world whereon

Gazing at night from her flame-lit casement

She saw where the dark sea shone.
Hardly the breadth of a few brief paces,
Hardly the length of a strong man’s stride,

The small court flower lit with children’s faces

Scarce held scope for a bud to hide.

Yet here was a man’s brood reared and hidden

Between the rocks and the towers and the foam,

Where peril and pity and peace were bidden

As guests to the same sure home.

Here would pity keep watch for peril,

And surety comfort his heart with peace.

No flower save one, where the reefs lie sterile,

Gave of the seed of its heart’s increase.

Pity and surety and peace most lowly

Were the root and the stem and the bloom of the flower:

And the light and the breath of the buds kept holy

That maid’s else blossomless bower.
With never a leaf but the seaweed’s tangle,
Never a bird’s but the seamew’s note,

It heard all round it the strong storms wrangle,

Watched far past it the waste wrecks float.

But her soul was stilled by the sky’s endurance,

And her heart made glad with the sea’s content;

And her faith waxed more in the sun’s assurance

For the winds that came and went.

Sweetness was brought for her forth of the bitter

Sea’s strength, and light of the deep sea’s dark,

From where green lawns on Alderney glitter

To the bastioned crags of the steeps of Sark.

These she knew from afar beholden,

And marvelled haply what life would be

On moors that sunset and dawn leave golden,

In dells that smile on the sea.

And forth she fared as a stout-souled rover,

For a brief blithe raid on the bounding brine:

And light winds ferried her light bark over

To the lone soft island of fair-limbed kine.

But the league-long length of its wild green border,

And the small bright streets of serene St. Anne,

Perplexed her sense with a strange disorder

At sight of the works of man.

The world was here, and the world’s confusion,

And the dust of the wheels of revolving life,

Pain, labour, change, and the fierce illusion

Of strife more vain than the sea’s old strife.

And her heart within her was vexed, and dizzy

The sense of her soul as a wheel that whirled:

She might not endure for a space that busy

Loud coil of the troublous world.
Too full, she said, was the world of trouble,
Too dense with noise of contentious things,

And shews less bright than the blithe foam’s bubble

As home she fared on the smooth wind’s wings.

For joy grows loftier in air more lonely,

Where only the sea’s brood fain would be;

Where only the heart may receive in it only

The love of the heart of the sea.

A BALLAD OF SARK.

High beyond the granite portal arched across

Like the gateway of some godlike giant’s hold

Sweep and swell the billowy breasts of moor and moss

East and westward, and the dell their slopes enfold

Basks in purple, glows in green, exults in gold

Glens that know the dove and fells that hear the lark

Fill with joy the rapturous island, as an ark

Full of spicery wrought from herb and flower and tree.

None would dream that grief even here may disembark

On the wrathful woful marge of earth and sea.

Rocks emblazoned like the mid shield’s royal boss

Take the sun with all their blossom broad and bold.

None would dream that all this moorland’s glow and gloss

Could be dark as tombs that strike the spirit acold

Even in eyes that opened here, and here behold

Now no sun relume from hope’s belated spark

Any comfort, nor may ears of mourners hark

Though the ripe woods ring with golden-throated glee,

While the soul lies shattered, like a stranded bark

On the wrathful woful marge of earth and sea.

Death and doom are they whose crested triumphs toss

On the proud plumed waves whence mourning notes are tolled.

Wail of perfect woe and moan for utter loss

Raise the bride-song through the graveyard on the wold

Where the bride-bed keeps the bridegroom fast in mould,

Where the bride, with death for priest and doom for clerk,

Hears for choir the throats of waves like wolves that bark,

Sore anhungered, off the drear Eperquerie,

Fain to spoil the strongholds of the strength of Sark

On the wrathful woful marge of earth and sea.

Prince of storm and tempest, lord whose ways are dark,

Wind whose wings are spread for flight that none may mark,

Lightly dies the joy that lives by grace of thee.

Love through thee lies bleeding, hope lies cold and stark,

On the wrathful woful marge of earth and sea.

NINE YEARS OLD.

February 4, 1883.

I.

Lord of light, whose shine no hands destroy,

God of song, whose hymn no tongue refuses,

Now, though spring far hence be cold and coy,

Bid the golden mouths of all the Muses

Ring forth gold of strains without alloy,

Till the ninefold rapture that suffuses

Heaven with song bid earth exult for joy,

Since the child whose head this dawn bedews is

Sweet as once thy violet-cradled boy.

II.

Even as he lay lapped about with flowers,

Lies the life now nine years old before us

Lapped about with love in all its hours;

Hailed of many loves that chant in chorus

Loud or low from lush or leafless bowers,

Some from hearts exultant born sonorous,

Some scarce louder-voiced than soft-tongued showers

Two months hence, when spring’s light wings poised o’er us

High shall hover, and her heart be ours.

III.

Even as he, though man-forsaken, smiled

On the soft kind snakes divinely bidden

There to feed him in the green mid wild

Full with hurtless honey, till the hidden

Birth should prosper, finding fate more mild,

So full-fed with pleasures unforbidden,

So by love’s lines blamelessly beguiled,

Laughs the nursling of our hearts unchidden

Yet by change that mars not yet the child.

IV.

Ah, not yet! Thou, lord of night and day,

Time, sweet father of such blameless pleasure,

Time, false friend who tak’st thy gifts away,

Spare us yet some scantlings of the treasure,

Leave us yet some rapture of delay,

Yet some bliss of blind and fearless leisure

Unprophetic of delight’s decay,

Yet some nights and days wherein to measure

All the joys that bless us while they may.

V.

Not the waste Arcadian woodland, wet

Still with dawn and vocal with Alpheus,

Reared a nursling worthier love’s regret,

Lord, than this, whose eyes beholden free us

Straight from bonds the soul would fain forget,

Fain cast off, that night and day might see us

Clear once more of life’s vain fume and fret:

Leave us, then, whate’er thy doom decree us,

Yet some days wherein to love him yet.

VI.

Yet some days wherein the child is ours,

Ours, not thine, O lord whose hand is o’er us

Always, as the sky with suns and showers

Dense and radiant, soundless or sonorous;

Yet some days for love’s sake, ere the bowers

Fade wherein his fair first years kept chorus

Night and day with Graces robed like hours,

Ere this worshipped childhood wane before us,

Change, and bring forth fruit—but no more flowers.

VII.

Love we may the thing that is to be,

Love we must; but how forego this olden

Joy, this flower of childish love, that we

Held more dear than aught of Time is holden—

Time, whose laugh is like as Death’s to see—

Time, who heeds not aught of all beholden,

Heard, or touched in passing—flower or tree,

Tares or grain of leaden days or golden—

More than wind has heed of ships at sea?

VIII.

First the babe, a very rose of joy,

Sweet as hope’s first note of jubilation,

Passes: then must growth and change destroy

Next the child, and mar the consecration

Hallowing yet, ere thought or sense annoy,

Childhood’s yet half heavenlike habitation,

Bright as truth and frailer than a toy;

Whence its guest with eager gratulation

Springs, and life grows larger round the boy.

IX.

Yet, ere sunrise wholly cease to shine,

Ere change come to chide our hearts, and scatter

Memories marked for love’s sake with a sign,

Let the light of dawn beholden flatter

Yet some while our eyes that feed on thine,

Child, with love that change nor time can shatter,

Love, whose silent song says more than mine

Now, though charged with elder loves and latter

Here it hails a lord whose years are nine.

AFTER A READING.

For the seven times seventh time love would renew the delight without end or alloy

That it takes in the praise as it takes in the presence of eyes that fulfil it with joy;

But how shall it praise them and rest unrebuked by the presence and pride of the boy?

Praise meet for a child is unmeet for an elder whose winters and springs are nine

What song may have strength in its wings to expand them, or light in its eyes to shine,

That shall seem not as weakness and darkness if matched with the theme I would fain make mine?

The round little flower of a face that exults in the sunshine of shadowless days

Defies the delight it enkindles to sing of it aught not unfit for the praise

Of the sweetest of all things that eyes may rejoice in and tremble with love as they gaze.

Such tricks and such meanings abound on the lips and the brows that are brighter than light,

The demure little chin, the sedate little nose, and the forehead of sun-stained white,

That love overflows into laughter and laughter subsides into love at the sight.

Each limb and each feature has action in tune with the meaning that smiles as it speaks

From the fervour of eyes and the fluttering of hands in a foretaste of fancies and freaks,

When the thought of them deepens the dimples that laugh in the corners and curves of his cheeks.

As a bird when the music within her is yet too intense to be spoken in song,

That pauses a little for pleasure to feel how the notes from withinwards throng,

So pauses the laugh at his lips for a little, and waxes within more strong.

As the music elate and triumphal that bids all things of the dawn bear part

With the tune that prevails when her passion has risen into rapture of passionate art,

So lightens the laughter made perfect that leaps from its nest in the heaven of his heart.

Deep, grave and sedate is the gaze of expectant intensity bent for awhile

And absorbed on its aim as the tale that enthralls him uncovers the weft of its wile,

Till the goal of attention is touched, and expectancy kisses delight in a smile.

And it seems to us here that in Paradise hardly the spirit of Lamb or of Blake

May hear or behold aught sweeter than lightens and rings when his bright thoughts break

In laughter that well might lure them to look, and to smile as of old for his sake.

O singers that best loved children, and best for their sakes are beloved of us here,

In the world of your life everlasting, where love has no thorn and desire has no fear,

All else may be sweeter than aught is on earth, nought dearer than these are dear.

MAYTIME IN MIDWINTER.

A new year gleams on us, tearful

And troubled and smiling dim

As the smile on a lip still fearful,

As glances of eyes that swim:

But the bird of my heart makes cheerful

The days that are bright for him.
Child, how may a man’s love merit
The grace you shed as you stand,

The gift that is yours to inherit?

Through you are the bleak days bland;

Your voice is a light to my spirit;

You bring the sun in your hand.
The year’s wing shows not a feather
As yet of the plumes to be;

Yet here in the shrill grey weather

The spring’s self stands at my knee,

And laughs as we commune together,

And lightens the world we see.

The rains are as dews for the christening

Of dawns that the nights benumb:

The spring’s voice answers me listening

For speech of a child to come,

While promise of music is glistening

On lips that delight keeps dumb.

The mists and the storms receding

At sight of you smile and die:

Your eyes held wide on me reading

Shed summer across the sky:

Your heart shines clear for me, heeding

No more of the world than I.
The world, what is it to you, dear,
And me, if its face be grey,

And the new-born year be a shrewd year

For flowers that the fierce winds fray?

You smile, and the sky seems blue, dear;

You laugh, and the month turns May.

Love cares not for care, he has daffed her

Aside as a mate for guile:

The sight that my soul yearns after

Feeds full my sense for awhile;

Your sweet little sun-faced laughter,

Your good little glad grave smile.
Your hands through the bookshelves flutter;
Scott, Shakespeare, Dickens, are caught;

Blake’s visions, that lighten and mutter;

Molière—and his smile has nought

Left on it of sorrow, to utter

The secret things of his thought.
No grim thing written or graven
But grows, if you gaze on it, bright;

A lark’s note rings from the raven,

And tragedy’s robe turns white;

And shipwrecks drift into haven;

And darkness laughs, and is light.
Grief seems but a vision of madness;
Life’s key-note peals from above

With nought in it more of sadness

Than broods on the heart of a dove:

At sight of you, thought grows gladness,

And life, through love of you, love.

A DOUBLE BALLAD OF AUGUST.

(1884.)

All Afric, winged with death and fire,

Pants in our pleasant English air.

Each blade of grass is tense as wire,

And all the wood’s loose trembling hair

Stark in the broad and breathless glare

Of hours whose touch wastes herb and tree.

This bright sharp death shines everywhere;

Life yearns for solace toward the sea.

Earth seems a corpse upon the pyre;

The sun, a scourge for slaves to bear.

All power to fear, all keen desire,

Lies dead as dreams of days that were

Before the new-born world lay bare

In heaven’s wide eye, whereunder we

Lie breathless till the season spare:

Life yearns for solace toward the sea.

Fierce hours, with ravening fangs that tire

On spirit and sense, divide and share

The throbs of thoughts that scarce respire,

The throes of dreams that scarce forbear

One mute immitigable prayer

For cold perpetual sleep to be

Shed snowlike on the sense of care.

Life yearns for solace toward the sea.

The dust of ways where men suspire

Seems even the dust of death’s dim lair.

But though the feverish days be dire

The sea-wind rears and cheers its fair

Blithe broods of babes that here and there

Make the sands laugh and glow for glee

With gladder flowers than gardens wear.

Life yearns for solace toward the sea.

The music dies not off the lyre

That lets no soul alive despair.

Sleep strikes not dumb the breathless choir

Of waves whose note bids sorrow spare.

As glad they sound, as fast they fare,

As when fate’s word first set them free

And gave them light and night to wear.

Life yearns for solace toward the sea.

For there, though night and day conspire

To compass round with toil and snare

And changeless whirl of change, whose gyre

Draws all things deathwards unaware,

The spirit of life they scourge and scare,

Wild waves that follow on waves that flee

Laugh, knowing that yet, though earth despair,

Life yearns for solace toward the sea.

HEARTSEASE COUNTRY.

TO ISABEL SWINBURNE.

The far green westward heavens are bland,

The far green Wiltshire downs are clear

As these deep meadows hard at hand:

The sight knows hardly far from near,

Nor morning joy from evening cheer.

In cottage garden-plots their bees

Find many a fervent flower to seize

And strain and drain the heart away

From ripe sweet-williams and sweet-peas

At every turn on every way.
But gladliest seems one flower to expand
Its whole sweet heart all round us here;

’Tis Heartsease Country, Pansy Land.

Nor sounds nor savours harsh and drear

Where engines yell and halt and veer

Can vex the sense of him who sees

One flower-plot midway, that for trees

Has poles, and sheds all grimed or grey

For bowers like those that take the breeze

At every turn on every way.

Content even there they smile and stand,

Sweet thought’s heart-easing flowers, nor fear,

With reek and roaring steam though fanned,

Nor shrink nor perish as they peer.

The heart’s eye holds not those more dear

That glow between the lanes and leas

Where’er the homeliest hand may please

To bid them blossom as they may

Where light approves and wind agrees

At every turn on every way.

Sister, the word of winds and seas

Endures not as the word of these

Your wayside flowers whose breath would say

How hearts that love may find heart’s ease

At every turn on every way.

A BALLAD OF APPEAL.

TO CHRISTINA G. ROSSETTI.

Song wakes with every wakening year

From hearts of birds that only feel

Brief spring’s deciduous flower-time near:

And song more strong to help or heal

Shall silence worse than winter seal?

From love-lit thought’s remurmuring cave

The notes that rippled, wave on wave,

Were clear as love, as faith were strong;

And all souls blessed the soul that gave

Sweet water from the well of song.
All hearts bore fruit of joy to hear,
All eyes felt mist upon them steal

For joy’s sake, trembling toward a tear,

When, loud as marriage-bells that peal,

Or flutelike soft, or keen like steel,

Sprang the sheer music; sharp or grave,

We heard the drift of winds that drave,

And saw, swept round by ghosts in throng,

Dark rocks, that yielded, where they clave,

Sweet water from the well of song.

Blithe verse made all the dim sense clear

That smiles of babbling babes conceal:

Prayer’s perfect heart spake here: and here

Rose notes of blameless woe and weal,

More soft than this poor song’s appeal.

Where orchards bask, where cornfields wave,

They dropped like rains that cleanse and lave,

And scattered all the year along,

Like dewfall on an April grave,

Sweet water from the well of song.

Ballad, go bear our prayer, and crave

Pardon, because thy lowlier stave

Can do this plea no right, but wrong.

Ask nought beside thy pardon, save

Sweet water from the well of song.

CRADLE SONGS.

(To a tune of Blake’s)

I.

Baby, baby bright,

Sleep can steal from sight

Little of your light:

Soft as fire in dew,

Still the life in you

Lights your slumber through.

Four white eyelids keep

Fast the seal of sleep

Deep as love is deep:

Yet, though closed it lies,

Love behind them spies

Heaven in two blue eyes.

II.

Baby, baby dear,

Earth and heaven are near

Now, for heaven is here.

Heaven is every place

Where your flower-sweet face

Fills our eyes with grace.

Till your own eyes deign

Earth a glance again,

Earth and heaven are twain.

Now your sleep is done,

Shine, and show the sun

Earth and heaven are one.

III.

Baby, baby sweet,

Love’s own lips are meet

Scarce to kiss your feet.

Hardly love’s own ear,

When your laugh crows clear,

Quite deserves to hear.

Hardly love’s own wile,

Though it please awhile,

Quite deserves your smile.

Baby full of grace,

Bless us yet a space:

Sleep will come apace.

IV.

Baby, baby true,

Man, whate’er he do,

May deceive not you.

Smiles whose love is guile,

Worn a flattering while,

Win from you no smile.

One, the smile alone

Out of love’s heart grown,

Ever wins your own.

Man, a dunce uncouth,

Errs in age and youth:

Babies know the truth.

V.

Baby, baby fair,

Love is fain to dare

Bless your haughtiest air.

Baby blithe and bland,

Reach but forth a hand

None may dare withstand;

Love, though wellnigh cowed,

Yet would praise aloud

Pride so sweetly proud.

No! the fitting word

Even from breeze or bird

Never yet was heard.

VI.

Baby, baby kind,

Though no word we find,

Bear us yet in mind.

Half a little hour,

Baby bright in bower,

Keep this thought aflower—

Love it is, I see,

Here with heart and knee

Bows and worships me.

What can baby do,

Then, for love so true?—

Let it worship you.

VII.

Baby, baby wise,

Love’s divine surmise

Lights your constant eyes.

Day and night and day

One mute word would they,

As the soul saith, say.

Trouble comes and goes;

Wonder ebbs and flows;

Love remains and glows.

As the fledgeling dove

Feels the breast above,

So your heart feels love.

PELAGIUS.

I.

The sea shall praise him and the shores bear part

That reared him when the bright south world was black

With fume of creeds more foul than hell’s own rack,

Still darkening more love’s face with loveless art

Since Paul, faith’s fervent Antichrist, of heart

Heroic, haled the world vehemently back

From Christ’s pure path on dire Jehovah’s track,

And said to dark Elisha’s Lord, ‘Thou art.’

But one whose soul had put the raiment on

Of love that Jesus left with James and John

Withstood that Lord whose seals of love were lies,

Seeing what we see—how, touched by Truth’s bright rod,

The fiend whom Jews and Africans called God

Feels his own hell take hold on him, and dies.

II.

The world has no such flower in any land,
And no such pearl in any gulf the sea,
As any babe on any mother’s knee.

But all things blessed of men by saints are banned:

God gives them grace to read and understand

The palimpsest of evil, writ where we,

Poor fools and lovers but of love, can see

Nought save a blessing signed by Love’s own hand.

The smile that opens heaven on us for them

Hath sin’s transmitted birthmark hid therein:

The kiss it craves calls down from heaven a rod.

If innocence be sin that Gods condemn,

Praise we the men who so being born in sin

First dared the doom and broke the bonds of God.

III.

Man’s heel is on the Almighty’s neck who said,

Let there be hell, and there was hell—on earth.

But not for that may men forget their worth—

Nay, but much more remember them—who led

The living first from dwellings of the dead,

And rent the cerecloths that were wont to engirth

Souls wrapped and swathed and swaddled from their birth

With lies that bound them fast from heel to head.

Among the tombs when wise men all their lives

Dwelt, and cried out, and cut themselves with knives,

These men, being foolish, and of saints abhorred,

Beheld in heaven the sun by saints reviled,

Love, and on earth one everlasting Lord

In every likeness of a little child.

LOUIS BLANC.

THREE SONNETS TO HIS MEMORY.

I.

The stainless soul that smiled through glorious eyes;

The bright grave brow whereon dark fortune’s blast

Might blow, but might not bend it, nor o’ercast,

Save for one fierce fleet hour of shame, the skies

Thrilled with warm dreams of worthier days to rise

And end the whole world’s winter; here at last,

If death be death, have passed into the past;

If death be life, live, though their semblance dies.

Hope and high faith inviolate of distrust

Shone strong as life inviolate of the grave

Through each bright word and lineament serene.

Most loving righteousness and love most just

Crowned, as day crowns the dawn-enkindled wave,

With visible aureole thine unfaltering mien.

II.

Strong time and fire-swift change, with lightnings clad

And shod with thunders of reverberate years,

Have filled with light and sound of hopes and fears

The space of many a season, since I had

Grace of good hap to make my spirit glad,

Once communing with thine: and memory hears

The bright voice yet that then rejoiced mine ears,

Sees yet the light of eyes that spake, and bade

Fear not, but hope, though then time’s heart were weak

And heaven by hell shade-stricken, and the range

Of high-born hope made questionable and strange

As twilight trembling till the sunlight speak.

Thou sawest the sunrise and the storm in one

Break: seest thou now the storm-compelling sun?

III.

Surely thou seest, O spirit of light and fire,

Surely thou canst not choose, O soul, but see

The days whose dayspring was beheld of thee

Ere eyes less pure might have their hope’s desire,

Beholding life in heaven again respire

Where men saw nought that was or was to be,

Save only death imperial. Thou and he

Who has the heart of all men’s hearts for lyre,

Ye twain, being great of spirit as time is great,

And sure of sight as truth’s own heavenward eye,

Beheld the forms of forces passing by

And certitude of equal-balanced fate,

Whose breath forefelt makes darkness palpitate,

And knew that light should live and darkness die.

VOS DEOS LAUDAMUS:

THE CONSERVATIVE JOURNALIST’S ANTHEM.

‘As a matter of fact, no man living, or who ever lived—not Cæsar or Pericles, not Shakespeare or Michael Angelo—could confer honour more than he took on entering the House of Lords.’—Saturday Review, December 15, 1883.

‘Clumsy and shallow snobbery—can do no hurt.’—Ibid.

I.

O Lords our Gods, beneficent, sublime,

In the evening, and before the morning flames,

We praise, we bless, we magnify your names.

The slave is he that serves not; his the crime

And shame, who hails not as the crown of Time

That House wherein the all-envious world acclaims

Such glory that the reflex of it shames

All crowns bestowed of men for prose or rhyme.

The serf, the cur, the sycophant is he

Who feels no cringing motion twitch his knee

When from a height too high for Shakespeare nods

The wearer of a higher than Milton’s crown.

Stoop, Chaucer, stoop: Keats, Shelley, Burns, bow down:

These have no part with you, O Lords our Gods.

II.

O Lords our Gods, it is not that ye sit

Serene above the thunder, and exempt

From strife of tongues and casualties that tempt

Men merely found by proof of manhood fit

For service of their fellows: this is it

Which sets you past the reach of Time’s attempt,

Which gives us right of justified contempt

For commonwealths built up by mere men’s wit:

That gold unlocks not, nor may flatteries ope,

The portals of your heaven; that none may hope

With you to watch how life beneath you plods,

Save for high service given, high duty done;

That never was your rank ignobly won:

For this we give you praise, O Lords our Gods.

III.

O Lords our Gods, the times are evil: you
Redeem the time, because of evil days.
While abject souls in servitude of praise

Bow down to heads untitled, and the crew

Whose honour dwells but in the deeds they do,

From loftier hearts your nobler servants raise

More manful salutation: yours are bays

That not the dawn’s plebeian pearls bedew;

Yours, laurels plucked not of such hands as wove

Old age its chaplet in Colonos’ grove.

Our time, with heaven and with itself at odds,

Makes all lands else as seas that seethe and boil;

But yours are yet the corn and wine and oil,

And yours our worship yet, O Lords our Gods.

December 15.

ON THE BICENTENARY OF CORNEILLE,

CELEBRATED UNDER THE PRESIDENCY OF VICTOR HUGO.

Scarce two hundred years are gone, and the world is past away

As a noise of brawling wind, as a flash of breaking foam,

That beheld the singer born who raised up the dead of Rome;

And a mightier now than he bids him too rise up to-day,

All the dim great age is dust, and its king is tombless clay,

But its loftier laurel green as in living eyes it clomb,

And his memory whom it crowned hath his people’s heart for home,

And the shade across it falls of a lordlier-flowering bay.

Stately shapes about the tomb of their mighty maker pace,

Heads of high-plumed Spaniards shine, souls revive of Roman race,

Sound of arms and words of wail through the glowing darkness rise,

Speech of hearts heroic rings forth of lips that know not breath,

And the light of thoughts august fills the pride of kindling eyes

Whence of yore the spell of song drove the shadow of darkling death.

IN SEPULCRETIS.

‘Vidistis ipso rapere de rogo cœnam.’—Catullus, LIX. 3.

‘To publish even one line of an author which he himself has not intended for the public at large—especially letters which are addressed to private persons—is to commit a despicable act of felony.’—Heine.

I.

It is not then enough that men who give

The best gifts given of man to man should feel,

Alive, a snake’s head ever at their heel:

Small hurt the worms may do them while they live—

Such hurt as scorn for scorn’s sake may forgive.

But now, when death and fame have set one seal

On tombs whereat Love, Grief, and Glory kneel,

Men sift all secrets, in their critic sieve,

Of graves wherein the dust of death might shrink

To know what tongues defile the dead man’s name

With loathsome love, and praise that stings like shame.

Rest once was theirs, who had crossed the mortal brink:

No rest, no reverence now: dull fools undress

Death’s holiest shrine, life’s veriest nakedness.

II.

A man was born, sang, suffered, loved, and died.

Men scorned him living: let us praise him dead.

His life was brief and bitter, gently led

And proudly, but with pure and blameless pride.

He wrought no wrong toward any; satisfied

With love and labour, whence our souls are fed

With largesse yet of living wine and bread.

Come, let us praise him: here is nought to hide.

Make bare the poor dead secrets of his heart,

Strip the stark-naked soul, that all may peer,

Spy, smirk, sniff, snap, snort, snivel, snarl, and sneer:

Let none so sad, let none so sacred part

Lie still for pity, rest unstirred for shame,

But all be scanned of all men. This is fame.

III.

‘Now, what a thing it is to be an ass!’1

If one, that strutted up the brawling streets

As foreman of the flock whose concourse greets

Men’s ears with bray more dissonant than brass,

Would change from blame to praise as coarse and crass

His natural note, and learn the fawning feats

Of lapdogs, who but knows what luck he meets?

But all in vain old fable holds her glass.

Mocked and reviled by men of poisonous breath,

A great man dies: but one thing worst was spared,

Not all his heart by their base hands lay bared.

One comes to crown with praise the dust of death;

And lo, through him this worst is brought to pass.

Now, what a thing it is to be an ass!

1 Titus Andronicus, Act iv., Scene 2.

IV.

Shame, such as never yet dealt heavier stroke

On heads more shameful, fall on theirs through whom

Dead men may keep inviolate not their tomb,

But all its depths these ravenous grave-worms choke

And yet what waste of wrath were this, to invoke

Shame on the shameless? Even their twin-born doom,

Their native air of life, a carrion fume,

Their natural breath of love, a noisome smoke,

The bread they break, the cup whereof they drink,

The record whose remembrance damns their name,

Smells, tastes, and sounds of nothing but of shame.

If thankfulness nor pity bids them think

What work is this of theirs, and pause betimes,

Not Shakespeare’s grave would scare them off with rhymes.

LOVE AND SCORN.

I.

Love, loyallest and lordliest born of things,

Immortal that shouldst be, though all else end,

In plighted hearts of fearless friend with friend,

Whose hand may curb or clip thy plume-plucked wings?

Not grief’s nor time’s: though these be lords and kings

Crowned, and their yoke bid vassal passions bend,

They may not pierce the spirit of sense, or blend

Quick poison with the soul’s live watersprings.

The true clear heart whose core is manful trust

Fears not that very death may turn to dust

Love lit therein as toward a brother born,

If one touch make not all its fine gold rust,

If one breath blight not all its glad ripe corn,

And all its fire be turned to fire of scorn.

II.

Scorn only, scorn begot of bitter proof
By keen experience of a trustless heart,
Bears burning in her new-born hand the dart

Wherewith love dies heart-stricken, and the roof

Falls of his palace, and the storied woof

Long woven of many a year with life’s whole art

Is rent like any rotten weed apart,

And hardly with reluctant eyes aloof

Cold memory guards one relic scarce exempt

Yet from the fierce corrosion of contempt,

And hardly saved by pity. Woe are we

That once we loved, and love not; but we know

The ghost of love, surviving yet in show,

Where scorn has passed, is vain as grief must be.

III.

O sacred, just, inevitable scorn,

Strong child of righteous judgment, whom with grief

The rent heart bears, and wins not yet relief,

Seeing of its pain so dire a portent born,

Must thou not spare one sheaf of all the corn,

One doit of all the treasure? not one sheaf,

Not one poor doit of all? not one dead leaf

Of all that fell and left behind a thorn?

Is man so strong that one should scorn another?

Is any as God, not made of mortal mother,

That love should turn in him to gall and flame?

Nay: but the true is not the false heart’s brother:

Love cannot love disloyalty: the name

That else it wears is love no more, but shame.

ON THE DEATH OF RICHARD DOYLE.

A light of blameless laughter, fancy-bred,

Soft-souled and glad and kind as love or sleep,

Fades, and sweet mirth’s own eyes are fain to weep

Because her blithe and gentlest bird is dead.

Weep, elves and fairies all, that never shed

Tear yet for mortal mourning: you that keep

The doors of dreams whence nought of ill may creep,

Mourn once for one whose lips your honey fed.

Let waters of the Golden River steep

The rose-roots whence his grave blooms rosy-red

And murmuring of Hyblæan hives be deep

About the summer silence of its bed,

And nought less gracious than a violet peep

Between the grass grown greener round his head.

IN MEMORY OF HENRY A. BRIGHT.

Yet again another, ere his crowning year,

Gone from friends that here may look for him no more.

Never now for him shall hope set wide the door,

Hope that hailed him hither, fain to greet him here.

All the gracious garden-flowers he held so dear,

Oldworld English blossoms, all his homestead store,

Oldworld grief had strewn them round his bier of yore,

Bidding each drop leaf by leaf as tear by tear;

Rarer lutes than mine had borne more tuneful token,

Touched by subtler hands than echoing time can wrong,

Sweet as flowers had strewn his graveward path along.

Now may no such old sweet dirges more be spoken,

Now the flowers whose breath was very song are broken,

Nor may sorrow find again so sweet a song.

A SOLITUDE.

Sea beyond sea, sand after sweep of sand,

Here ivory smooth, here cloven and ridged with flow

Of channelled waters soft as rain or snow,

Stretch their lone length at ease beneath the bland

Grey gleam of skies whose smile on wave and strand

Shines weary like a man’s who smiles to know

That now no dream can mock his faith with show,

Nor cloud for him seem living sea or land.

Is there an end at all of all this waste,

These crumbling cliffs defeatured and defaced,

These ruinous heights of sea-sapped walls that slide

Seaward with all their banks of bleak blown flowers

Glad yet of life, ere yet their hope subside

Beneath the coil of dull dense waves and hours?

VICTOR HUGO: L’ARCHIPEL DE LA MANCHE.

Sea and land are fairer now, nor aught is all the same,

Since a mightier hand than Time’s hath woven their votive wreath.

Rocks as swords half drawn from out the smooth wave’s jewelled sheath,

Fields whose flowers a tongue divine hath numbered name by name,

Shores whereby the midnight or the noon clothed round with flame

Hears the clamour jar and grind which utters from beneath

Cries of hungering waves like beasts fast bound that gnash their teeth,

All of these the sun that lights them lights not like his fame;

None of these is but the thing it was before he came

Where the darkling overfalls like dens of torment seethe,

High on tameless moorlands, down in meadows bland and tame,

Where the garden hides, and where the wind uproots the heath,

Glory now henceforth for ever, while the world shall be,

Shines, a star that keeps not time with change on earth and sea.

THE TWILIGHT OF THE LORDS.

I.

Is the sound a trumpet blown, or a bell for burial tolled,

Whence the whole air vibrates now to the clash of words like swords—

‘Let us break their bonds in sunder, and cast away their cords;

Long enough the world has mocked us, and marvelled to behold

How the grown man bears the curb whence his boyhood was controlled’?

Nay, but hearken: surer counsel more sober speech affords:

‘Is the past not all inscribed with the praises of our Lords?

Is the memory dead of deeds done of yore, the love grown cold

That should bind our hearts to trust in their counsels wise and bold?

These that stand against you now, senseless crowds and heartless hordes,

Are not these the sons of men that withstood your kings of old?

Theirs it is to bind and loose; theirs the key that knows the wards,

Theirs the staff to lead or smite; yours, the spades and ploughs and hods:

Theirs to hear and yours to cry, Power is yours, O Lords our Gods.’

II.

Hear, O England: these are they that would counsel thee aright.

Wouldst thou fain have all thy sons sons of thine indeed, and free?

Nay, but then no more at all as thou hast been shalt thou be:

Needs must many dwell in darkness, that some may look on light;

Needs must poor men brook the wrong that ensures the rich man’s right.

How shall kings and lords be worshipped, if no man bow the knee?

How, if no man worship these, may thy praise endure with thee?

How, except thou trust in these, shall thy name not lose its might?

These have had their will of thee since the Norman came to smite:

Sires on grandsires, even as wave after wave along the sea,

Sons on sires have followed, steadfast as clouds or hours in flight.

Time alone hath power to say, time alone hath eyes to see,

If your walls of rule be built but of clay-compacted sods,

If your place of old shall know you no more, O Lords our Gods.

III.

Through the stalls wherein ye sit sounds a sentence while we wait,

Set your house in order: is it not builded on the sand?

Set your house in order, seeing the night is hard at hand.

As the twilight of the Gods in the northern dream of fate

Is this hour that comes against you, albeit this hour come late.

Ye whom Time and Truth bade heed, and ye would not understand,

Now an axe draws nigh the tree overshadowing all the land,

And its edge of doom is set to the root of all your state.

Light is more than darkness now, faith than fear and hope than hate,

And what morning wills, behold, all the night shall not withstand.

Rods of office, helms of rule, staffs of wise men, crowns of great,

While the people willed, ye bare; now their hopes and hearts expand,

Time with silent foot makes dust of your broken crowns and rods,

And the lordship of your godhead is gone, O Lords our Gods.

CLEAR THE WAY!

Clear the way, my lords and lackeys! you have had your day.

Here you have your answer—England’s yea against your nay:

Long enough your house has held you: up, and clear the way!

Lust and falsehood, craft and traffic, precedent and gold,

Tongue of courtier, kiss of harlot, promise bought and sold,

Gave you heritage of empire over thralls of old.

Now that all these things are rotten, all their gold is rust,

Quenched the pride they lived by, dead the faith and cold the lust,

Shall their heritage not also turn again to dust?

By the grace of these they reigned, who left their sons their sway:

By the grace of these, what England says her lords unsay:

Till at last her cry go forth against them—Clear the way!

By the grace of trust in treason knaves have lived and lied:

By the force of fear and folly fools have fed their pride:

By the strength of sloth and custom reason stands defied.

Lest perchance your reckoning on some latter day be worse,

Halt and hearken, lords of land and princes of the purse,

Ere the tide be full that comes with blessing and with curse.

Where we stand; as where you sit, scarce falls a sprinkling spray;

But the wind that swells, the wave that follows, none shall stay:

Spread no more of sail for shipwreck: out, and clear the way!

A WORD FOR THE COUNTRY.

Men, born of the land that for ages

Has been honoured where freedom was dear,

Till your labour wax fat on its wages

You shall never be peers of a peer.

Where might is, the right is:

Long purses make strong swords.

Let weakness learn meekness:

God save the House of Lords!

You are free to consume in stagnation:

You are equal in right to obey:

You are brothers in bonds, and the nation

Is your mother—whose sons are her prey.
Those others your brothers,
Who toil not, weave, nor till,
Refuse you and use you
As waiters on their will.
But your fathers bowed down to their masters
And obeyed them and served and adored.

Shall the sheep not give thanks to their pastors?

Shall the serf not give praise to his lord?
Time, waning and gaining,
Grown other now than then,
Needs pastors and masters
For sheep, and not for men.
If his grandsire did service in battle,
If his grandam was kissed by a king,

Must men to my lord be as cattle

Or as apes that he leads in a string?
To deem so, to dream so,
Would bid the world proclaim
The dastards for bastards,
Not heirs of England’s fame.
Not in spite but in right of dishonour,
There are actors who trample your boards

Till the earth that endures you upon her

Grows weary to bear you, my lords.
Your token is broken,
It will not pass for gold:
Your glory looks hoary,
Your sun in heaven turns cold.
They are worthy to reign on their brothers,
To contemn them as clods and as carles,

Who are Graces by grace of such mothers

As brightened the bed of King Charles.
What manner of banner,
What fame is this they flaunt,
That Britain, soul-smitten,
Should shrink before their vaunt?
Bright sons of sublime prostitution,
You are made of the mire of the street

Where your grandmothers walked in pollution

Till a coronet shone at their feet.
Your Graces, whose faces
Bear high the bastard’s brand,
Seem stronger no longer
Than all this honest land.
But the sons of her soldiers and seamen,
They are worthy forsooth of their hire.

If the father won praise from all free men,

Shall the sons not exult in their sire?
Let money make sunny
And power make proud their lives,
And feed them and breed them
Like drones in drowsiest hives.
But if haply the name be a burden
And the souls be no kindred of theirs,

Should wise men rejoice in such guerdon

Or brave men exult in such heirs?
Or rather the father
Frown, shamefaced, on the son,
And no men but foemen,
Deriding, cry ‘Well done’?
Let the gold and the land they inherit
Pass ever from hand into hand:

In right of the forefather’s merit

Let the gold be the son’s, and the land.
Soft raiment, rich payment,
High place, the state affords;
Full measure of pleasure,
But now no more, my lords.
Is the future beleaguered with dangers
If the poor be far other than slaves?

Shall the sons of the land be as strangers

In the land of their forefathers’ graves?

Shame were it to bear it,

And shame it were to see:

If free men you be, men,

Let proof proclaim you free.

‘But democracy means dissolution:

See, laden with clamour and crime,

How the darkness of dim revolution

Comes deepening the twilight of time!
Ah, better the fetter
That holds the poor man’s hand
Than peril of sterile
Blind change that wastes the land.
‘Gaze forward through clouds that environ;
It shall be as it was in the past.

Not with dreams, but with blood and with iron,

Shall a nation be moulded to last.’
So teach they, so preach they,
Who dream themselves the dream
That hallows the gallows
And bids the scaffold stream.
‘With a hero at head, and a nation
Well gagged and well drilled and well cowed,

And a gospel of war and damnation,

Has not empire a right to be proud?
Fools prattle and tattle
Of freedom, reason, right,
The beauty of duty,
The loveliness of light.
‘But we know, we believe it, we see it,
Force only has power upon earth.’

So be it! and ever so be it

For souls that are bestial by birth!

Let Prussian with Russian

Exchange the kiss of slaves:

But sea-folk are free folk

By grace of winds and waves.

Has the past from the sepulchres beckoned?

Let answer from Englishmen be—

No man shall be lord of us reckoned

Who is baser, not better, than we.
No coward, empowered
To soil a brave man’s name;
For shame’s sake and fame’s sake,
Enough of fame and shame.
Fame needs not the golden addition;
Shame bears it abroad as a brand.

Let the deed, and no more the tradition,

Speak out and be heard through the land.

Pride, rootless and fruitless,

No longer takes and gives:

But surer and purer

The soul of England lives.

He is master and lord of his brothers

Who is worthier and wiser than they.

Him only, him surely, shall others,

Else equal, observe and obey.
Truth, flawless and awless,
Do falsehood what it can,
Makes royal the loyal
And simple heart of man.

Who are these, then, that England should hearken,

Who rage and wax wroth and grow pale

If she turn from the sunsets that darken

And her ship for the morning set sail?
Let strangers fear dangers:
All know, that hold her dear,
Dishonour upon her
Can only fall through fear.
Men, born of the landsmen and seamen
Who served her with souls and with swords,

She bids you be brothers, and free men,

And lordless, and fearless of lords.

She cares not, she dares not

Care now for gold or steel:

Light lead her, truth speed her,

God save the Commonweal!

A WORD FOR THE NATION.

I.

A word across the water

Against our ears is borne,

Of threatenings and of slaughter,

Of rage and spite and scorn:

We have not, alack, an ally to befriend us,

And the season is ripe to extirpate and end us:

Let the German touch hands with the Gaul,

And the fortress of England must fall;

And the sea shall be swept of her seamen,

And the waters they ruled be their graves,

And Dutchmen and Frenchmen be free men,

And Englishmen slaves.

II.

Our time once more is over,

Once more our end is near:

A bull without a drover,

The Briton reels to rear,

And the van of the nations is held by his betters,

And the seas of the world shall be loosed from his fetters,

And his glory shall pass as a breath,

And the life that is in him be death;

And the sepulchre sealed on his glory

For a sign to the nations shall be

As of Tyre and of Carthage in story,

Once lords of the sea.

III.

The lips are wise and loyal,

The hearts are brave and true,

Imperial thoughts and royal

Make strong the clamorous crew,

Whence louder and prouder the noise of defiance

Rings rage from the grave of a trustless alliance,

And bids us beware and be warned,

As abhorred of all nations and scorned,

As a swordless and spiritless nation,

A wreck on the waste of the waves.

So foams the released indignation

Of masterless slaves.

IV.

Brute throats that miss the collar,

Bowed backs that ask the whip,

Stretched hands that lack the dollar,

And many a lie-seared lip,

Forefeel and foreshow for us signs as funereal

As the signs that were regal of yore and imperial;

We shall pass as the princes they served,

We shall reap what our fathers deserved,

And the place that was England’s be taken

By one that is worthier than she,

And the yoke of her empire be shaken

Like spray from the sea.

V.

French hounds, whose necks are aching

Still from the chain they crave,

In dog-day madness breaking

The dog-leash, thus may rave:

But the seas that for ages have fostered and fenced her

Laugh, echoing the yell of their kennel against her

And their moan if destruction draw near them

And the roar of her laughter to hear them;

For she knows that if Englishmen be men

Their England has all that she craves;

All love and all honour from free men,

All hatred from slaves.

VI.

All love that rests upon her

Like sunshine and sweet air,

All light of perfect honour

And praise that ends in prayer,

She wins not more surely, she wears not more proudly,

Than the token of tribute that clatters thus loudly,

The tribute of foes when they meet

That rattles and rings at her feet,

The tribute of rage and of rancour,

The tribute of slaves to the free,

To the people whose hope hath its anchor

Made fast in the sea.

VII.

No fool that bows the back he

Feels fit for scourge or brand,

No scurril scribes that lackey

The lords of Lackeyland,

No penman that yearns, as he turns on his pallet,

For the place or the pence of a peer or a valet,

No whelp of as currish a pack

As the litter whose yelp it gives back,

Though he answer the cry of his brother

As echoes might answer from caves,

Shall be witness as though for a mother

Whose children were slaves.

VIII.

But those found fit to love her,

Whose love has root in faith,

Who hear, though darkness cover

Time’s face, what memory saith,

Who seek not the service of great men or small men

But the weal that is common for comfort of all men,

Those yet that in trust have beholden

Truth’s dawn over England grow golden

And quicken the darkness that stagnates

And scatter the shadows that flee,

Shall reply for her meanest as magnates

And masters by sea.

IX.

And all shall mark her station,

Her message all shall hear,

When, equal-eyed, the nation

Bids all her sons draw near,

And freedom be more than tradition or faction,

And thought be no swifter to serve her than action,

And justice alone be above her,

That love may be prouder to love her,

And time on the crest of her story

Inscribe, as remembrance engraves,

The sign that subdues with its glory

Kings, princes, and slaves.

A WORD FROM THE PSALMIST.

Ps. xciv. 8.

I.

‘Take heed, ye unwise among the people:

O ye fools, when will ye understand?’

From pulpit or choir beneath the steeple,

Though the words be fierce, the tones are bland.

But a louder than the Church’s echo thunders

In the ears of men who may not choose but hear,

And the heart in him that hears it leaps and wonders,

With triumphant hope astonished, or with fear
For the names whose sound was power awaken
Neither love nor reverence now nor dread;

Their strongholds and shrines are stormed and taken,

Their kingdom and all its works are dead.

II.

Take heed: for the tide of time is risen:
It is full not yet, though now so high
That spirits and hopes long pent in prison
Feel round them a sense of freedom nigh,

And a savour keen and sweet of brine and billow,

And a murmur deep and strong of deepening strength.

Though the watchman dream, with sloth or pride for pillow,

And the night be long, not endless is its length.

From the springs of dawn, from clouds that sever

From the equal heavens and the eastward sea,
The witness comes that endures for ever,
Till men be brethren and thralls be free.

III.

But the wind of the wings of dawn expanding

Strikes chill on your hearts as change and death.

Ye are old, but ye have not understanding,

And proud, but your pride is a dead man’s breath.

And your wise men, toward whose words and signs ye hearken,

And your strong men, in whose hands ye put your trust,

Strain eyes to behold but clouds and dreams that darken,

Stretch hands that can find but weapons red with rust.

Their watchword rings, and the night rejoices,

But the lark’s note laughs at the night-bird’s notes—

‘Is virtue verily found in voices?

Or is wisdom won when all win votes?

IV.

‘Take heed, ye unwise indeed, who listen

When the wind’s wings beat and shift and change;

Whose hearts are uplift, whose eyeballs glisten,

With desire of new things great and strange.

Let not dreams misguide nor any visions wrong you:

That which has been, it is now as it was then.

Is not Compromise of old a god among you?

Is not Precedent indeed a king of men?

But the windy hopes that lead mislead you,

And the sounds ye hear are void and vain.

Is a vote a coat? will franchise feed you,

Or words be a roof against the rain?

V.

‘Eight ages are gone since kingship entered,

With knights and peers at its harnessed back,

And the land, no more in its own strength centred,

Was cast for a prey to the princely pack.

But we pared the fangs and clipped the ravening claws of it,

And good was in time brought forth of an evil thing,

And the land’s high name waxed lordlier in war because of it,

When chartered Right had bridled and curbed the king.

And what so fair has the world beholden,
And what so firm has withstood the years,
As Monarchy bound in chains all golden,
And Freedom guarded about with peers?

VI.

‘How think ye? know not your lords and masters

What collars are meet for brawling throats?

Is change not mother of strange disasters?

Shall plague or peril be stayed by votes?

Out of precedent and privilege and order

Have we plucked the flower of compromise, whose root

Bears blossoms that shine from border again to border,

And the mouths of many are fed with its temperate fruit.

Your masters are wiser than ye, their henchmen:

Your lords know surely whereof ye have need.

Equality? Fools, would you fain be Frenchmen?

Is equity more than a word indeed?

VII.

‘Your voices, forsooth, your most sweet voices,

Your worthy voices, your love, your hate,

Your choice, who know not whereof your choice is,

What stays are these for a stable state?

Inconstancy, blind and deaf with its own fierce babble,

Swells ever your throats with storm of uncertain cheers:

He leans on straws who leans on a light-souled rabble;

His trust is frail who puts not his trust in peers.’

So shrills the message whose word convinces
Of righteousness knaves, of wisdom fools;
That serfs may boast them because of princes,

And the weak rejoice that the strong man rules.

VIII.

True friends, ye people, are these, the faction

Full-mouthed that flatters and snails and bays,

That fawns and foams with alternate action,

And mocks the names that it soils with praise.

As from fraud and force their power had fast beginning,

So by righteousness and peace it may not stand,

But by craft of state and nets of secret spinning,

Words that weave and unweave wiles like ropes of sand

Form, custom, and gold, and laws grown hoary,

And strong tradition that guards the gate:

To these, O people, to these give glory,

That your name among nations may be great.

IX.

How long—for haply not now much longer—
Shall fear put faith in a faithless creed,
And shapes and shadows of truths be stronger
In strong men’s eyes than the truth indeed?

If freedom be not a word that dies when spoken,

If justice be not a dream whence men must wake,

How shall not the bonds of the thraldom of old be broken,

And right put might in the hands of them that break?

For clear as a tocsin from the steeple

Is the cry gone forth along the land,

Take heed, ye unwise among the people:

O ye fools, when will ye understand?

A BALLAD AT PARTING.

Sea to sea that clasps and fosters England, uttering ever-more

Song eterne and praise immortal of the indomitable shore,

Lifts aloud her constant heart up, south to north and east to west,

Here in speech that shames all music, there in thunder-throated roar,

Chiming concord out of discord, waking rapture out of rest.

All her ways are lovely, all her works and symbols are divine,

Yet shall man love best what first bade leap his heart and bend his knee;

Yet where first his whole soul worshipped shall his soul set up her shrine:

Nor may love not know the lovelier, fair as both beheld may be,

Here the limitless north-eastern, there the strait south-western sea.

Though their chant bear all one burden, as ere man was born it bore;

Though the burden be diviner than the songs all souls adore;

Yet may love not choose but choose between them which to love the best.

Me the sea my nursing-mother, me the Channel green and hoar,

Holds at heart more fast than all things, bares for me the goodlier breast,

Lifts for me the lordlier love-song, bids for me more sunlight shine,

Sounds for me the stormier trumpet of the sweeter strain to me.

So the broad pale Thames is loved not like the tawny springs of Tyne:

Choice is clear between them for the soul whose vision holds in fee

Here the limitless north-eastern, there the strait south-western sea.

Choice is clear, but dear is either; nor has either not in store

Many a likeness, many a written sign of spirit-searching lore,

Whence the soul takes fire of sweet remembrance, magnified and blest.

Thought of songs whose flame-winged feet have trod the unfooted water-floor

When the lord of all the living lords of souls bade speed their quest,

Soft live sound like children’s babble down the rippling sand’s incline,

Or the lovely song that loves them, hailed with thankful prayer and plea;

These are parcels of the harvest here whose gathered sheaves are mine,

Garnered now, but sown and reaped where winds make wild with wrath or glee

Here the limitless north-eastern, there the strait south-western sea.

Song, thy name is freedom, seeing thy strength was born of breeze and brine.

Fare now forth and fear no fortune; such a seal is set on thee.

Joy begat and memory bare thee, seeing in spirit a two-fold sign,

Even the sign of those thy fosters, each as thou from all time free,

Here the limitless north-eastern, there the strait south-western sea.

PRINTED BY
SPOTTISWOODE AND CO., NEW-STREET SQUARE
LONDON

End of the Project Gutenberg EBook of A Midsummer Holiday and Other Poems, by
Algernon Charles Swinburne

*** END OF THIS PROJECT GUTENBERG EBOOK A MIDSUMMER HOLIDAY AND ***

***** This file should be named 18424-h.htm or 18424-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/8/4/2/18424/

Produced by Chuck Greif, Louise Hope, Thierry Alberto,
Henry Craig and the Online Distributed Proofreading Team
at http://www.pgdp.net

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate

Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***

Table of Contents

- 3
- 6
- 9
- 12
- 16
- 19
- 22
- 27
- 31
- 39
- 66
- 70
- 84
- 87
- 94
- 100
- 105
- 109
- 112
- 115
- 122
- 125
- 128
- 132
- 134
- 139
- 142
- 143
- 144
- 145
- 147
- 153
- 156
- 167
- 176
- 185